Margarethe von Trotta

  • Known for: Director
  • Date of birth: 1942. February 21.
  • Place of birth: Berlin, Germany

Margarethe von Trotta (born 21 February 1942) is a German film director, screenwriter, and actress. She has been referred to as a "leading force" of the New German Cinema movement. Description above from the Wikipedia article Margarethe von Trotta, licensed under CC-BY-SA, full list of contributors...

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Hannah Arendt

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The Promise

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Rosa Luxemburg

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Beware of a Holy Whore

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Rosenstrasse

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The Lost Honor of Katharina Blum

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Ingeborg Bachmann – Journey into the Desert

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Baal

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The American Soldier

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Cinématon

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Vision – From the Life of Hildegard von Bingen

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Forget About Nick

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Circle of Deceit

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Alida Valli: In Her Own Words

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Come With Me to the Cinema – The Gregors

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Love and Fear

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Marianne and Juliane

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The Misplaced World

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Coup de Grâce

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Searching for Ingmar Bergman

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Gods of the Plague

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Why Does Herr R. Run Amok?

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Desaster

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The Second Awakening of Christa Klages

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I Am the Other Woman

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Felix

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Germany in Autumn

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Sheer Madness

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Drücker

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Calling the Shots

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Reel Herstory: The Real Story of Reel Women

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Dark Days

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Volonté: The Man of a Thousand Faces

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Paul Esbeck

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A Free Woman

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The Atlantic Swimmers

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The Heart and the Legs

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The Morals of Ruth Halbfass

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The Other Woman

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Blaubart

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The Night of the Filmmakers

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Unerreichbare Nähe

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Sukowa - Playful Like A Child

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Beer Chase

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Hands Up!

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Nuits transparentes

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Winter Child

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An Invitation to the Hunt

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Sisters, or The Balance of Happiness

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Georginas Gründe

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The Sudden Wealth of the Poor People of Kombach

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The Long Silence

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Forbidden Films

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Gian Luigi Rondi - Vita, cinema, passione

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Margarethe von Trotta: A Women's Director

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Brandstifter

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Tränen trocknet der Wind

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Von Sex bis Simmel

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The African Woman

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Stayover in Tirol

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Screenwriters on Screenwriting

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Les réalisatrices contemporaines: l'état des choses

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Sympathisanten - Unser deutscher Herbst

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Rosa Luxemburg: Der Preis der Freiheit

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Das Andechser Gefühl

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Spielst Du mit schrägen Vögeln

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Das Vergnügen, anständig zu sein

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It Could Have Been Worse - Mario Adorf

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Foreign Directors on Directing

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At Fifty, Men Kiss Differently

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