"Envy" is an unfinished personal reflection on gender and non-binarity. The camera films two people, two bodies, alternately female or male, or both? Or neither? The viewer is confused, and doesn't know who is who, but it doesn’t matter. The camera is sometimes close, sometimes distant, like a voyeur who wants to participate, who wants to be part of it. From time to time, one of the two people looks straight at the camera - and the image turns bright red, like a connection, a flash, a lightning, maybe a sudden jealousy of not being in the protagonists' shoes? The eyes then refocus on the other person, and forgets about the camera, the voyeur, who continues to stare in silence.