In the post-photographic context of the digital age, we relate to images in a different way; they have other meanings, and they have been dematerialized. They have become elements without a body, ephemeral and superabundant. The transition from an analogue to a digital process has become a paradigm shift. Family photographs used to be a treasure, passed down from generation to generation, which we could look at and touch to evoke the memory of a moment, or of a loved one.
