Fragments pour un film imaginaire

A variation on paroptic vision (the ability to see with the skin, without the aid of the eyes), telepathy, colour theory and the theremin. The various sequences introduce the hypothesis of an imaginary cinema. The film is presented as a series of rushes, suggesting an unfinished film in progress.

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Art

Emmanuelle Gary

Assistant Director of Photography

Arnaud Deshayes

Assistant Art Director

Camera

Éva Sehet

Director of Photography

Crew

Mikaël Barre

Mixing Engineer

Directing

Érik Bullot

Director

Editing

Julia Mingo

Color Grading

Art

Emmanuelle Gary

Assistant Director of Photography

Arnaud Deshayes

Assistant Art Director

Camera

Éva Sehet

Director of Photography

Crew

Mikaël Barre

Mixing Engineer

Directing

Érik Bullot

Director

Editing

Julia Mingo

Color Grading