Stepping into the frame, is an intimate glance into the artist’s paradoxical self-portraiture practice. Best known for her still photographic work, Oliver now turns her gaze to her process. Through the use of a 16mm bolex, the artist has opened her self-portraits beyond the moment of capture, allowing viewers into her unique process. Oliver often meticulously pre-plans each of her shots but, because she must step out of the frame to reset the camera between each image, it is impossible for her to recreate each scene exactly. Viewers are brought to a better understanding of the ephemeral nature of Oliver’s photography and the fluidity and freedom behind her portraits.
